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Camera settings (EXIF data)

Camera Fujifilm X100F

APS-C (23.6 x 15.6 mm)

24MP

Large sensor compact

Released: 2017-01-19

Focal length

23.0 mm

Aperture

ƒ/5.6

Shutter speed

1/1250s

ISO

200

Metering mode

Center-weighted average

Exposure program

Aperture-priority AE

Exposure compensation

Flash

No Flash

Taken at

2021:09:16 14:15:23

Software

Adobe Photoshop Lightroom Classic 11.3.1 (Macintosh)

no copyright note in EXIF

GPS Location

—

GPS Altitude

—

GPS Date & time

—

Raw EXIF data

ISO

200

Make

FUJIFILM

Flash

No Flash

Model

X100F

FNumber

5.6

Software

Adobe Photoshop Lightroom Classic 11.3.1 (Macintosh)

SceneType

Directly photographed

Sharpness

Normal

ColorSpace

sRGB

CreateDate

2021:09:16 14:15:23

FileSource

Digital Camera

ModifyDate

2022:04:25 15:02:27

OffsetTime

+02:00

ExifVersion

0231

FocalLength

23.0 mm

LightSource

Unknown

Orientation

Horizontal (normal)

XResolution

240

YResolution

240

ExposureMode

Auto

ExposureTime

1/1250

MeteringMode

Center-weighted average

SerialNumber

74M52065

WhiteBalance

Auto

ApertureValue

5.6

SensingMethod

One-chip color area

CustomRendered

Normal

ExifImageWidth

1200

ResolutionUnit

inches

BrightnessValue

9.34

ExifImageHeight

800

ExposureProgram

Aperture-priority AE

SensitivityType

Standard Output Sensitivity

DateTimeOriginal

2021:09:16 14:15:23

MaxApertureValue

2.0

SceneCaptureType

Standard

ShutterSpeedValue

1/1250

ExposureCompensation

SubjectDistanceRange

Unknown

FocalPlaneXResolution

2553.214602

FocalPlaneYResolution

2553.214602

FocalPlaneResolutionUnit

Raw XMP data

<x:xmpmeta xmlns:x="adobe:ns:meta/" x:xmptk="XMP Core 6.0.0"> <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"> <rdf:Description rdf:about="" xmlns:crs="http://ns.adobe.com/camera-raw-settings/1.0/" xmlns:xmpMM="http://ns.adobe.com/xap/1.0/mm/" xmlns:stEvt="http://ns.adobe.com/xap/1.0/sType/ResourceEvent#" xmlns:stRef="http://ns.adobe.com/xap/1.0/sType/ResourceRef#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xmp="http://ns.adobe.com/xap/1.0/" xmlns:aux="http://ns.adobe.com/exif/1.0/aux/" xmlns:photoshop="http://ns.adobe.com/photoshop/1.0/" crs:CameraProfileDigest="272224000D5765B749BB38DB525CB88C" crs:VignetteAmount="0" crs:CameraProfile="Adobe Standard" crs:CropConstrainToWarp="0" crs:Version="14.3" crs:RedSaturation="-41" crs:Shadows2012="+74" crs:SaturationAdjustmentAqua="+4" crs:ColorGradeHighlightLum="0" crs:ColorNoiseReductionDetail="50" crs:LuminanceAdjustmentBlue="0" crs:LensProfileEnable="0" crs:Highlights2012="-72" crs:HueAdjustmentOrange="0" crs:Vib...

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IPTC

DateCreated

2021:09:16

TimeCreated

14:15:23

CodedCharacterSet

UTF8

DigitalCreationDate

2021:09:16

DigitalCreationTime

14:15:23

ApplicationRecordVersion

Photoshop

IPTCDigest

4207b331341f612c2f2902c199fcb4ab

Adobe Lightroom edits

Download as Lightroom Preset

Need help?

Look

Name	Adobe Color
Group	Profiles
Cluster
Amount	1

Note on Looks

Looks are not included in the default downloadable preset. The reason is that they often require extra files installed on your system (e.g. many film emulation packs).

Without these files in place, the presets downloaded from PixelPeeper couldn't be imported. That's why PixelPeeper presets focus on universal settings. If you want to replicate the Look part, you can copy it manually, but in many cases, it won't have an effect without the looks installed on your computer first.

The "Full XMP Settings" version of the downloadable preset will include the look and other (complete) adjustments. If you have the required looks installed, you should be able to import this XMP file to Lightroom.

Basic

Profile	Adobe Standard
White Balance	Custom
Temperature	5795
Tint		+13

Tone
Exposure		-0.1
Contrast		+12
Highlights		-72
Shadows		+74
Whites		+36
Blacks		-41

Presence
Texture		+12
Clarity		+7
Dehaze		0
Vibrance		0
Saturation		0

Tone Curve

Tone Curve:

Region
Highlights		0
Lights		0
Darks		0
Shadows		0

Color Mixer / HSL

Hue
Red		0
Orange		0
Yellow		0
Green		0
Aqua		0
Blue		0
Purple		0
Magenta		0

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The edit creates a controlled, slightly muted cityscape with strong architectural detail and a dramatic but restrained sky. Broad tonal recovery opens the shaded buildings and protects cloud texture, while deepened blacks and brighter whites restore contrast. Extensive color reduction keeps the scene subdued, with cooler slate-blue accents and warm masonry separated through calibration and white balance choices.

Overall look

The photograph has a naturalistic but stylized urban-documentary finish: dense detail, subdued building colors, and pronounced cloud structure without an overt HDR appearance. Adobe Standard is used as the camera profile, with an Adobe Color look table contributing the starting color rendering. There is no added grain, vignette, or dehaze, so the result remains clean and relatively neutral in its effects.

Light and tone

The core treatment is aggressive dynamic-range compression. Highlights are reduced to -72 and shadows raised to +74, retaining texture in the bright clouds while revealing façades and streets that would otherwise look heavy. Exposure is nudged down only slightly, while whites are raised to +36 and blacks lowered to -41. Those opposing endpoint moves prevent the large highlight and shadow recovery from making the image look flat: clouds retain bright edges, while windows, rooflines, and the street keep convincing dark anchors. A modest contrast increase and a custom curve that lifts the middle values further brighten architectural midtones without lifting the absolute black point.

Color

A custom white balance of 5795 K with +13 tint introduces a modest warm-magenta foundation, helping the pale stone buildings avoid looking cold under the overcast sky. At the same time, individual color saturation is heavily restrained: yellow is reduced by 58, blue by 52, orange by 40, and several secondary colors are also lowered. This suppresses distracting roof, façade, and sky color and gives the city a cohesive, almost desaturated palette. Camera Calibration adds a more complex separation: the blue primary is shifted strongly and increased in saturation, while the red primary is shifted but substantially desaturated and green is also reduced. In interaction with the HSL reductions, this does not simply create vivid blues; it more likely shapes the sky and cool painted surfaces toward a controlled slate/cyan character while keeping their overall intensity low. This interpretation is a visual inference from the photograph and settings.

Detail and noise

Texture at +12 and clarity at +7 emphasize stonework, windows, cornices, and cloud contours without pushing the image into a harsh, heavily processed look. Standard sharpening at 40 provides general crispness, although no masking is applied, so sharpening can affect both edges and smoother areas. Noise reduction is light: luminance smoothing is only 6, while color noise reduction is 21. Given the ISO 200 capture, this restrained treatment is appropriate for preserving fine architectural detail while cleaning minor chroma noise.

Composition and optical handling

The crop is essentially full-frame, trimming only tiny amounts from the sides, with a very small rotation of roughly 0.09° for alignment. Automatic lateral chromatic-aberration correction is enabled, useful around high-contrast rooflines and building edges. No lens profile, manual distortion correction, perspective transform, or Upright correction is applied, so the original wide-angle architectural geometry is largely preserved.

What mattered most

Strong highlight and shadow recovery balances the bright cloudscape against shaded city buildings.
Raised whites and lowered blacks restore depth after the broad tonal compression.
Heavy HSL desaturation creates the restrained palette, while calibration shifts preserve nuanced cool-color separation.
Moderate texture and light clarity emphasize architecture without relying on dehaze or strong sharpening.
The finish is clean and effect-light, with no vignette, grain, split toning, or color grading.