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Camera settings (EXIF data)

Camera Fujifilm X100F

APS-C (23.6 x 15.6 mm)

24MP

Large sensor compact

Released: 2017-01-19

Focal length

23.0 mm

Aperture

ƒ/3.6

Shutter speed

1/1600s

ISO

200

Metering mode

Center-weighted average

Exposure program

Aperture-priority AE

Exposure compensation

Flash

No Flash

Taken at

2021:09:15 16:24:38

Software

Adobe Photoshop Lightroom Classic 11.3.1 (Macintosh)

no copyright note in EXIF

GPS Location

—

GPS Altitude

—

GPS Date & time

—

Raw EXIF data

ISO

200

Make

FUJIFILM

Flash

No Flash

Model

X100F

FNumber

3.6

Software

Adobe Photoshop Lightroom Classic 11.3.1 (Macintosh)

SceneType

Directly photographed

Sharpness

Normal

ColorSpace

sRGB

CreateDate

2021:09:15 16:24:38

FileSource

Digital Camera

ModifyDate

2022:04:25 14:31:50

OffsetTime

+02:00

ExifVersion

0231

FocalLength

23.0 mm

LightSource

Unknown

Orientation

Horizontal (normal)

XResolution

240

YResolution

240

ExposureMode

Auto

ExposureTime

1/1600

MeteringMode

Center-weighted average

SerialNumber

74M52065

WhiteBalance

Auto

ApertureValue

3.6

SensingMethod

One-chip color area

CustomRendered

Normal

ExifImageWidth

1200

ResolutionUnit

inches

BrightnessValue

10.15

ExifImageHeight

800

ExposureProgram

Aperture-priority AE

SensitivityType

Standard Output Sensitivity

DateTimeOriginal

2021:09:15 16:24:38

MaxApertureValue

2.0

SceneCaptureType

Standard

ShutterSpeedValue

1/1600

ExposureCompensation

SubjectDistanceRange

Unknown

FocalPlaneXResolution

2553.214602

FocalPlaneYResolution

2553.214602

FocalPlaneResolutionUnit

Raw XMP data

<x:xmpmeta xmlns:x="adobe:ns:meta/" x:xmptk="XMP Core 6.0.0"> <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"> <rdf:Description rdf:about="" xmlns:crs="http://ns.adobe.com/camera-raw-settings/1.0/" xmlns:xmpMM="http://ns.adobe.com/xap/1.0/mm/" xmlns:stEvt="http://ns.adobe.com/xap/1.0/sType/ResourceEvent#" xmlns:stRef="http://ns.adobe.com/xap/1.0/sType/ResourceRef#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xmp="http://ns.adobe.com/xap/1.0/" xmlns:aux="http://ns.adobe.com/exif/1.0/aux/" xmlns:photoshop="http://ns.adobe.com/photoshop/1.0/" crs:CameraProfileDigest="272224000D5765B749BB38DB525CB88C" crs:VignetteAmount="0" crs:CameraProfile="Adobe Standard" crs:CropConstrainToWarp="0" crs:Version="14.3" crs:RedSaturation="-41" crs:Shadows2012="+74" crs:SaturationAdjustmentAqua="+4" crs:ColorGradeHighlightLum="0" crs:ColorNoiseReductionDetail="50" crs:UprightTransform_1="1.035104150,0.001823551,-0.019784893,0.031541607,1.106053995,-0.036048069,-0.064119267,0.07166...

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IPTC

DateCreated

2021:09:15

TimeCreated

16:24:38

CodedCharacterSet

UTF8

DigitalCreationDate

2021:09:15

DigitalCreationTime

16:24:38

ApplicationRecordVersion

Photoshop

IPTCDigest

3abf5466d91ea523892631eb7395800d

Adobe Lightroom edits

Download as Lightroom Preset

Need help?

Look

Name	Adobe Color
Group	Profiles
Cluster
Amount	1

Note on Looks

Looks are not included in the default downloadable preset. The reason is that they often require extra files installed on your system (e.g. many film emulation packs).

Without these files in place, the presets downloaded from PixelPeeper couldn't be imported. That's why PixelPeeper presets focus on universal settings. If you want to replicate the Look part, you can copy it manually, but in many cases, it won't have an effect without the looks installed on your computer first.

The "Full XMP Settings" version of the downloadable preset will include the look and other (complete) adjustments. If you have the required looks installed, you should be able to import this XMP file to Lightroom.

Basic

Profile	Adobe Standard
White Balance	Custom
Temperature	5795
Tint		+13

Tone
Exposure		-0.65
Contrast		+12
Highlights		-72
Shadows		+74
Whites		+36
Blacks		-41

Presence
Texture		+12
Clarity		+7
Dehaze		0
Vibrance		0
Saturation		0

Tone Curve

Tone Curve:

Region
Highlights		0
Lights		0
Darks		0
Shadows		0

Color Mixer / HSL

Hue
Red		0
Orange		0
Yellow		0
Green		0
Aqua		0
Blue		0
Purple		0
Magenta		0

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The edit creates a controlled, slightly dark urban-documentary look: deep blacks and crisp building detail frame a dramatically recovered sky, while broad color desaturation keeps the busy street from feeling overly colorful. The composition and perspective treatment reinforce the street’s strong central vanishing point.

Overall look

Adobe Color provides the starting rendering, but the finished image is deliberately more restrained and contrasty than a neutral conversion. Exposure was lowered by 0.65 EV, color was selectively muted, and the black point was strengthened. The result feels dramatic and graphic without using dehaze, grain, or a vignette.

Light and tone

The main tonal strategy is strong dynamic-range compression followed by firmer endpoints. Highlights were reduced substantially (-72) to retain structure in the bright clouds and pale façades, while shadows were opened aggressively (+74) so cars, storefronts, and shaded building faces remain readable. Whites were then raised (+36) and blacks lowered (-41), restoring bright cloud edges and deep street-level anchors after that recovery. A modest contrast increase and a custom curve that lifts the middle values add separation and prevent the recovered scene from becoming flat. Visually, this produces an HDR-like balance while preserving a naturally dark foreground.

Color

A custom white balance of 5795 K with +13 tint gives the neutral architecture a subtly warm, magenta-leaning base. Most visible color families were then subdued: blue, orange, yellow, red, green, and purple saturation were all reduced to varying degrees, with especially strong reductions in blue and yellow. This quiets signage, façades, road markings, and the sky, allowing shape and light to dominate. Camera Calibration makes broader hue shifts—most notably shifting and strengthening the blue primary while reducing and shifting the red primary. In interaction with the large HSL blue reduction, this likely helps create the cooler cyan-blue sky without making it intensely saturated. This is a visual inference based on the combined settings and photograph.

Detail and optical correction

Texture (+12) and mild clarity (+7) emphasize masonry, windows, vehicles, and cloud definition without the harsher atmospheric effect of dehaze. Standard sharpening at 40 adds general crispness. Only light luminance noise reduction is present, which is appropriate for the clean ISO 200 capture, while moderate color-noise reduction suppresses small chromatic speckles. Automatic lateral chromatic-aberration correction is enabled, but no lens profile or manual distortion correction was applied.

Composition and geometry

An Upright transformation was applied, and the finished photograph shows controlled architectural verticals despite the dense rows of tall buildings. A modest crop removes about 3% from each side and roughly 6.5% from the top, tightening the frame around the roadway and central tower. The bottom remains intact, preserving the foreground car and lane lines that lead toward the vanishing point. The exact visual effect attributed to Upright is an inference from the transformation data and the corrected-looking architecture.

What mattered most

Extreme highlight and shadow recovery holds detail in both the bright cloudscape and shaded street.
Raised whites and lowered blacks restore punch after the broad tonal recovery.
Selective desaturation creates a restrained palette, with the sky shaped by interacting HSL and calibration adjustments.
Texture and mild clarity provide architectural crispness without dehaze.
Perspective correction and a tight crop strengthen the centered, symmetrical street composition.