Sony · sample images & camera stats

a7S III sample images

Sample images from the a7S III, with camera settings and source attribution, plus shooting and editing patterns aggregated from 273 real photos.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#65
most analyzed of 98 cameras
f/2.8
median aperture
ISO 250
median · p95 2,500
1/319s
median shutter
92%
shot in Manual mode

Shooting DNA

How a7S III photos are shot

273 all-time photos · 161 with Lightroom edits

Aperture

  1. f/1.4 or wider 10%
  2. f/1.8 19%
  3. f/2.8 38%
  4. f/4 14%
  5. f/5.6 9%
  6. f/8+ 11%

ISO

  1. <=200 48%
  2. 400 19%
  3. 800 16%
  4. 1600 8%
  5. 3200 4%
  6. 6400+ 4%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,500.

Shutter speed

  1. 1/1000s+ 26%
  2. 1/500s 17%
  3. 1/250s 27%
  4. 1/125s 19%
  5. 1/60s 3%
  6. slower 8%

Focal length

Most common focal lengths recorded in EXIF.

  1. 35mm 13%
  2. 50mm 12%
  3. 24mm 9%
  4. 70mm 8%
  5. 28mm 7%
  6. 85mm 6%
  7. 17mm 5%
  8. 29mm 4%
  9. 34mm 4%
  10. 200mm 3%

Exposure mode

  1. Manual 92%
  2. Aperture-priority AE 6%
  3. Program AE 1%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
17:00 · 12%
Flash fired
17%

Capture year

When the analyzed photos were taken · 2020-2026

  1. 2020 1%
  2. 2021 3%
  3. 2022 10%
  4. 2023 17%
  5. 2024 38%
  6. 2025 24%
  7. 2026 7%

What's mounted on the a7S III

Lens pairings from the last 90 days, compared with the all-time share.

  1. 1 Sigma 24-70mm f/2.8 DG DN Art 17% flat
  2. 2 E 17-28mm F2.8-2.8 9% flat
  3. 3 Tamron 28-75mm f/2.8 Di III VXD G2 7% flat
  4. 4 Sigma 50mm f/1.4 DG HSM Art 6% flat
  5. 5 Sony FE 24-70mm f/2.8 GM 5% flat
  6. 6 Sony FE 70-200mm f/2.8 GM OSS II 4% flat
  7. 7 Sony FE 50mm f/1.2 GM 4% flat
  8. 8 Sigma 24-35mm f/2 DG HSM | A 4% flat
  9. 9 Sigma 35mm f/1.4 DG HSM Art 3% flat
  10. 10 Sigma 85mm f/1.4 DG DN Art 3% flat
  11. 11 Sony FE 35mm f/1.4 GM 3% flat
  12. 12 Sony FE 16-35mm f/2.8 GM 3% flat

The edit fingerprint

How a7S III photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 161 Lightroom edits · all time

The typical a7S III edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.4
  • Highlights -45
  • Shadows +30
  • Whites -18
  • Blacks +6

Ranges show the middle 50% of edited photos.

The a7S III tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
69%
lower whites
62%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Shadows 98%
  2. Highlights 97%
  3. Exposure 90%
  4. Orange saturation 89%
  5. Yellow saturation 88%
  6. Blue saturation 85%
  7. Orange luminance 85%
  8. Blacks 84%
  9. Whites 84%
  10. Green saturation 83%
  11. Green hue 80%
  12. Red saturation 78%
  13. Blue luminance 76%
  14. Contrast 75%
  15. Yellow hue 75%
  16. Orange hue 71%

White balance & profiles

Custom
70%
As Shot
26%
Auto
4%
Median temperature
5,350K
Median tint
+14
  1. Adobe Standard 95%
  2. Embedded 4%
  3. Camera ST 1%

The a7S III color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
1%
Grain
52%
Vignette
18%
Cropped
97%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 64% · sat 78% · lum 69%
  • Orange hue 71% · sat 89% · lum 85%
  • Yellow hue 75% · sat 88% · lum 67%
  • Green hue 80% · sat 83% · lum 68%
  • Aqua hue 56% · sat 65% · lum 47%
  • Blue hue 65% · sat 85% · lum 76%
  • Purple hue 57% · sat 66% · lum 35%
  • Magenta hue 58% · sat 60% · lum 29%

Shoot with a a7S III?

Upload a photo to see its full EXIF and Lightroom settings — the same data these stats are built from.

Analyze your photo

Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Gallery previews are reduced thumbnails from attributed public sources; every chart and swatch is derived from aggregate numbers. generated August 10, 2026.