Fujifilm · camera stats

GFX100S II

How 559 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#53
most analyzed of 110 cameras
f/3.2
median aperture
ISO 250
median · p95 2,500
1/250s
median shutter
83%
shot in Manual mode

Shooting DNA

How GFX100S II photos are shot

559 all-time photos · 286 with Lightroom edits

Aperture

  1. f/1.4 or wider 1%
  2. f/1.8 25%
  3. f/2.8 24%
  4. f/4 28%
  5. f/5.6 11%
  6. f/8+ 12%

ISO

  1. <=200 46%
  2. 400 22%
  3. 800 17%
  4. 1600 8%
  5. 3200 4%
  6. 6400+ 3%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,500.

Shutter speed

  1. 1/1000s+ 23%
  2. 1/500s 17%
  3. 1/250s 25%
  4. 1/125s 19%
  5. 1/60s 7%
  6. slower 9%

Focal length

Most common focal lengths recorded in EXIF.

  1. 55mm 57%
  2. 32mm 6%
  3. 110mm 6%
  4. 80mm 4%
  5. 64mm 4%
  6. 20mm 2%
  7. 35mm 2%
  8. 45mm 1%
  9. 34mm 1%
  10. 58mm 1%

Exposure mode

  1. Manual 83%
  2. Aperture-priority AE 17%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
14:00 · 19%
Flash fired
2%

Capture year

When the analyzed photos were taken · 2024-2026

  1. 2024 35%
  2. 2025 37%
  3. 2026 28%

What's mounted on the GFX100S II

Lens pairings from the last 90 days, compared with the all-time share.

Last 90 days · 198 photos

  1. 1 Fujifilm GF 55mm f/1.7 R WR 36% down
  2. 2 Fujifilm GF 32-64mm f/4 R LM WR 24% up
  3. 3 Fujifilm Fujinon GF55mm F1.7 R WR 17% up
  4. 4 GF20-35mmF4 R WR 6% up
  5. 5 GF110mmF2 R LM WR 5% down
  6. 6 Fujifilm Fujinon GF32-64mm F4 R LM WR 4% flat
  7. 7 GF45-100mmF4 R LM OIS WR 2% flat
  8. 8 Fujifilm GF 80mm f/1.7 R WR 2% down
  9. 9 Fujifilm Fujinon GF80mm F1.7 R WR 1% flat
  10. 10 GF35-70mmF4.5-5.6 WR 1% flat
  11. 11 Fujifilm Fujinon GF100-200mm F5.6 R LM OIS WR 1% flat
  12. 12 Canon TS-E 24mm f/3.5L II 1% flat

The edit fingerprint

How GFX100S II photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 118 Lightroom edits · last 90 days

The typical GFX100S II edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.1
  • Contrast -15
  • Highlights -15
  • Shadows +20
  • Whites +3
  • Clarity -10
  • Vibrance +5

Ranges show the middle 50% of edited photos.

The GFX100S II tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
51%
lower whites
14%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Highlights 93%
  2. Shadows 92%
  3. Clarity 86%
  4. Contrast 84%
  5. Whites 77%
  6. Blacks 65%
  7. Orange saturation 65%
  8. Exposure 64%
  9. Vibrance 58%
  10. Yellow hue 54%
  11. Texture 49%
  12. Blue saturation 48%
  13. Yellow saturation 48%
  14. Orange luminance 47%
  15. Green luminance 47%
  16. Aqua saturation 46%

White balance & profiles

Custom
64%
As Shot
31%
Auto
4%
Median temperature
5,719K
Median tint
+11
  1. Adobe Standard 60%
  2. Camera ASTIA/Soft 29%
  3. Camera REALA ACE 7%
  4. DVLOP FILM II 2%
  5. Embedded 2%

The GFX100S II color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
3%
Grain
15%
Vignette
3%
Cropped
100%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 12% · sat 13% · lum 14%
  • Orange hue 40% · sat 65% · lum 47%
  • Yellow hue 54% · sat 48% · lum 44%
  • Green hue 39% · sat 36% · lum 47%
  • Aqua hue 31% · sat 46% · lum 7%
  • Blue hue 40% · sat 48% · lum 11%
  • Purple hue 21% · sat 25% · lum 3%
  • Magenta hue 20% · sat 25% · lum 3%

Shoot with a GFX100S II?

Upload a photo to see its full EXIF and Lightroom settings — the same data these stats are built from.

Analyze your photo

Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Every chart and swatch is derived from aggregate numbers. generated October 12, 2026.