Fujifilm · camera stats

GFX100S II

How 625 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#53
most analyzed of 113 cameras
f/2.8
median aperture
ISO 250
median · p95 2,500
1/250s
median shutter
81%
shot in Manual mode

Shooting DNA

How GFX100S II photos are shot

625 all-time photos · 332 with Lightroom edits

Aperture

  1. f/1.4 or wider 1%
  2. f/1.8 25%
  3. f/2.8 25%
  4. f/4 27%
  5. f/5.6 11%
  6. f/8+ 12%

ISO

  1. <=200 46%
  2. 400 21%
  3. 800 17%
  4. 1600 9%
  5. 3200 4%
  6. 6400+ 4%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,500.

Shutter speed

  1. 1/1000s+ 23%
  2. 1/500s 15%
  3. 1/250s 26%
  4. 1/125s 18%
  5. 1/60s 8%
  6. slower 9%

Focal length

Most common focal lengths recorded in EXIF.

  1. 55mm 59%
  2. 32mm 6%
  3. 110mm 6%
  4. 80mm 4%
  5. 64mm 3%
  6. 20mm 2%
  7. 34mm 2%
  8. 35mm 2%
  9. 45mm 1%
  10. 58mm 1%

Exposure mode

  1. Manual 81%
  2. Aperture-priority AE 19%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
14:00 · 17%
Flash fired
2%

Capture year

When the analyzed photos were taken · 2024-2026

  1. 2024 34%
  2. 2025 35%
  3. 2026 31%

What's mounted on the GFX100S II

Lens pairings from the last 90 days, compared with the all-time share.

Last 90 days · 238 photos

  1. 1 Fujifilm GF 55mm f/1.7 R WR 43% down
  2. 2 Fujifilm GF 32-64mm f/4 R LM WR 23% up
  3. 3 Fujifilm Fujinon GF55mm F1.7 R WR 14% up
  4. 4 GF20-35mmF4 R WR 6% up
  5. 5 Fujifilm Fujinon GF32-64mm F4 R LM WR 3% flat
  6. 6 GF110mmF2 R LM WR 3% down
  7. 7 Fujifilm Fujinon GF100-200mm F5.6 R LM OIS WR 1% flat
  8. 8 GF45-100mmF4 R LM OIS WR 1% flat
  9. 9 Fujifilm GF 80mm f/1.7 R WR 1% down
  10. 10 Fujifilm Fujinon GF80mm F1.7 R WR 1% flat
  11. 11 GF35-70mmF4.5-5.6 WR 1% flat
  12. 12 GF50mmF3.5 R LM WR 0% flat

The edit fingerprint

How GFX100S II photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 144 Lightroom edits · last 90 days

The typical GFX100S II edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.1
  • Contrast -16
  • Highlights -18
  • Shadows +24
  • Clarity -10
  • Vibrance +5

Ranges show the middle 50% of edited photos.

The GFX100S II tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
55%
lower whites
15%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Shadows 94%
  2. Highlights 94%
  3. Contrast 86%
  4. Clarity 73%
  5. Exposure 71%
  6. Whites 69%
  7. Blacks 67%
  8. Vibrance 62%
  9. Orange saturation 55%
  10. Blue saturation 48%
  11. Yellow hue 46%
  12. Green luminance 45%
  13. Aqua saturation 44%
  14. Blue hue 41%
  15. Texture 38%
  16. Yellow luminance 38%

White balance & profiles

Custom
56%
As Shot
41%
Auto
3%
Median temperature
5,896K
Median tint
+11
  1. Adobe Standard 65%
  2. Camera ASTIA/Soft 24%
  3. Camera REALA ACE 6%
  4. DVLOP FILM II 1%
  5. DVLOP X 1%

The GFX100S II color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
3%
Grain
14%
Vignette
1%
Cropped
100%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 9% · sat 14% · lum 17%
  • Orange hue 31% · sat 55% · lum 37%
  • Yellow hue 46% · sat 37% · lum 38%
  • Green hue 33% · sat 31% · lum 45%
  • Aqua hue 31% · sat 44% · lum 4%
  • Blue hue 41% · sat 48% · lum 9%
  • Purple hue 25% · sat 27% · lum 2%
  • Magenta hue 24% · sat 27% · lum 2%

Shoot with a GFX100S II?

Upload a photo to see its full EXIF and Lightroom settings — the same data these stats are built from.

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Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Every chart and swatch is derived from aggregate numbers. generated November 02, 2026.