Fujifilm · camera stats

Fujifilm GFX50S II

How 1,370 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#28
most analyzed of 105 cameras
f/2.8
median aperture
ISO 320
median · p95 2,000
1/280s
median shutter
85%
shot in Manual mode

Shooting DNA

How Fujifilm GFX50S II photos are shot

1,370 all-time photos · 824 with Lightroom edits

Aperture

  1. f/1.4 or wider 11%
  2. f/1.8 16%
  3. f/2.8 27%
  4. f/4 18%
  5. f/5.6 9%
  6. f/8+ 18%

ISO

  1. <=200 45%
  2. 400 25%
  3. 800 16%
  4. 1600 9%
  5. 3200 5%
  6. 6400+ 1%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,000.

Shutter speed

  1. 1/1000s+ 30%
  2. 1/500s 14%
  3. 1/250s 20%
  4. 1/125s 18%
  5. 1/60s 6%
  6. slower 13%

Focal length

Most common focal lengths recorded in EXIF.

  1. 80mm 41%
  2. 55mm 11%
  3. 63mm 8%
  4. 50mm 6%
  5. 45mm 5%
  6. 35mm 3%
  7. 65mm 3%
  8. 100mm 2%
  9. 32mm 2%
  10. 122mm 1%

Exposure mode

  1. Manual 85%
  2. Aperture-priority AE 15%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
16:00 · 15%
Flash fired
2%

Capture year

When the analyzed photos were taken · 2021-2026

  1. 2021 2%
  2. 2022 5%
  3. 2023 33%
  4. 2024 36%
  5. 2025 18%
  6. 2026 7%

What's mounted on the Fujifilm GFX50S II

Lens pairings from the last 90 days, compared with the all-time share.

Last 90 days · 151 photos

  1. 1 Fujifilm GF 80mm f/1.7 R WR 22% down
  2. 2 Fujifilm GF 55mm f/1.7 R WR 18% up
  3. 3 CONTAX LENS 11% up
  4. 4 GF20-35mmF4 R WR 11% up
  5. 5 GF50mmF3.5 R LM WR 7% up
  6. 6 GF35-70mmF4.5-5.6 WR 7% flat
  7. 7 Fujifilm GF 32-64mm f/4 R LM WR 5% down
  8. 8 FUJIFILM GF 63mm f/2.8 R WR 3% down
  9. 9 Zhongyi 65mm f1.4 2% up
  10. 10 GF45mm F2.8 R WR 2% down
  11. 11 Fujifilm Fujinon GF110mm F2 R LM WR 2% up
  12. 12 Contax 645 80/2 2% down

The edit fingerprint

How Fujifilm GFX50S II photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 74 Lightroom edits · last 90 days

The typical Fujifilm GFX50S II edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.43
  • Highlights -38
  • Shadows +18
  • Whites -20

Ranges show the middle 50% of edited photos.

The Fujifilm GFX50S II tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
66%
lower whites
55%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Highlights 93%
  2. Shadows 92%
  3. Exposure 89%
  4. Whites 88%
  5. Blacks 82%
  6. Contrast 76%
  7. Green saturation 73%
  8. Yellow saturation 70%
  9. Green hue 69%
  10. Orange saturation 67%
  11. Red saturation 66%
  12. Blue saturation 59%
  13. Green luminance 56%
  14. Red hue 54%
  15. Yellow hue 52%
  16. Orange hue 51%

White balance & profiles

Custom
97%
As Shot
3%
Median temperature
5,505K
Median tint
+14
  1. Adobe Standard 87%
  2. Camera CLASSIC CHROME 5%
  3. DVLOP X 3%
  4. TAP Natural 3%
  5. Camera ACROS 1%

The Fujifilm GFX50S II color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
4%
Grain
57%
Vignette
0%
Cropped
92%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 54% · sat 66% · lum 23%
  • Orange hue 51% · sat 67% · lum 44%
  • Yellow hue 52% · sat 70% · lum 51%
  • Green hue 69% · sat 73% · lum 56%
  • Aqua hue 20% · sat 41% · lum 15%
  • Blue hue 31% · sat 59% · lum 33%
  • Purple hue 16% · sat 24% · lum 17%
  • Magenta hue 22% · sat 25% · lum 16%

Shoot with a Fujifilm GFX50S II?

Upload a photo to see its full EXIF and Lightroom settings — the same data these stats are built from.

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Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Every chart and swatch is derived from aggregate numbers. generated September 28, 2026.