Fujifilm · camera stats

Fujifilm GFX50S II

How 1,082 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#29
most analyzed of 99 cameras
f/2.8
median aperture
ISO 320
median · p95 2,000
1/319s
median shutter
84%
shot in Manual mode

Shooting DNA

How Fujifilm GFX50S II photos are shot

1,082 all-time photos · 687 with Lightroom edits

Aperture

  1. f/1.4 or wider 9%
  2. f/1.8 19%
  3. f/2.8 30%
  4. f/4 17%
  5. f/5.6 9%
  6. f/8+ 16%

ISO

  1. <=200 45%
  2. 400 25%
  3. 800 16%
  4. 1600 8%
  5. 3200 5%
  6. 6400+ 1%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,000.

Shutter speed

  1. 1/1000s+ 32%
  2. 1/500s 15%
  3. 1/250s 20%
  4. 1/125s 16%
  5. 1/60s 6%
  6. slower 12%

Focal length

Most common focal lengths recorded in EXIF.

  1. 80mm 44%
  2. 55mm 10%
  3. 63mm 9%
  4. 45mm 5%
  5. 50mm 5%
  6. 35mm 3%
  7. 65mm 3%
  8. 100mm 2%
  9. 32mm 2%
  10. 122mm 2%

Exposure mode

  1. Manual 84%
  2. Aperture-priority AE 15%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
16:00 · 14%
Flash fired
2%

Capture year

When the analyzed photos were taken · 2021-2026

  1. 2021 3%
  2. 2022 6%
  3. 2023 34%
  4. 2024 37%
  5. 2025 20%
  6. 2026 1%

What's mounted on the Fujifilm GFX50S II

Lens pairings from the last 90 days, compared with the all-time share.

Last 90 days · 103 photos

  1. 1 Fujifilm GF 55mm f/1.7 R WR 29% up
  2. 2 Fujifilm GF 80mm f/1.7 R WR 22% down
  3. 3 GF20-35mmF4 R WR 12% up
  4. 4 FUJIFILM GF 63mm f/2.8 R WR 10% up
  5. 5 GF35-70mmF4.5-5.6 WR 6% flat
  6. 6 TTartisan 90mm f1.25 4% up
  7. 7 GF45-100mmF4 R LM OIS WR 3% down
  8. 8 Zhongyi 65mm f1.4 3% up
  9. 9 Fujifilm Fujinon GF110mm F2 R LM WR 2% up
  10. 10 Fujifilm Fujinon GF80mm F1.7 R WR 2% flat
  11. 11 GF50mmF3.5 R LM WR 2% flat
  12. 12 Contax 645 80/2 1% down

The edit fingerprint

How Fujifilm GFX50S II photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 68 Lightroom edits · last 90 days

The typical Fujifilm GFX50S II edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.35
  • Contrast -15
  • Highlights -25
  • Shadows +15
  • Whites -10
  • Blacks +5
  • Clarity -5

Ranges show the middle 50% of edited photos.

The Fujifilm GFX50S II tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
68%
lower whites
28%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Shadows 97%
  2. Exposure 93%
  3. Highlights 90%
  4. Yellow saturation 88%
  5. Whites 88%
  6. Contrast 87%
  7. Green saturation 82%
  8. Blacks 81%
  9. Green hue 79%
  10. Blue saturation 78%
  11. Orange saturation 75%
  12. Orange hue 73%
  13. Orange luminance 70%
  14. Aqua saturation 67%
  15. Blue hue 64%
  16. Purple saturation 61%

White balance & profiles

Custom
100%
Median temperature
5,728K
Median tint
+14
  1. Adobe Standard 87%
  2. DVLOP X 12%
  3. Camera CLASSIC CHROME 2%

The Fujifilm GFX50S II color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
7%
Grain
43%
Vignette
2%
Cropped
94%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 59% · sat 53% · lum 33%
  • Orange hue 73% · sat 75% · lum 70%
  • Yellow hue 43% · sat 88% · lum 51%
  • Green hue 79% · sat 82% · lum 55%
  • Aqua hue 43% · sat 67% · lum 32%
  • Blue hue 64% · sat 78% · lum 41%
  • Purple hue 29% · sat 61% · lum 32%
  • Magenta hue 48% · sat 52% · lum 32%

Shoot with a Fujifilm GFX50S II?

Upload a photo to see its full EXIF and Lightroom settings — the same data these stats are built from.

Analyze your photo

Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. No photos are shown — every chart and swatch is derived from aggregate numbers. generated July 04, 2026.