Fujifilm · camera stats

Fujifilm GFX50S II

How 1,422 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#28
most analyzed of 111 cameras
f/2.8
median aperture
ISO 320
median · p95 2,000
1/250s
median shutter
85%
shot in Manual mode

Shooting DNA

How Fujifilm GFX50S II photos are shot

1,422 all-time photos · 855 with Lightroom edits

Aperture

  1. f/1.4 or wider 12%
  2. f/1.8 16%
  3. f/2.8 26%
  4. f/4 18%
  5. f/5.6 9%
  6. f/8+ 19%

ISO

  1. <=200 44%
  2. 400 25%
  3. 800 16%
  4. 1600 9%
  5. 3200 6%
  6. 6400+ 1%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,000.

Shutter speed

  1. 1/1000s+ 29%
  2. 1/500s 14%
  3. 1/250s 20%
  4. 1/125s 17%
  5. 1/60s 6%
  6. slower 14%

Focal length

Most common focal lengths recorded in EXIF.

  1. 80mm 43%
  2. 55mm 11%
  3. 63mm 6%
  4. 45mm 6%
  5. 50mm 6%
  6. 35mm 3%
  7. 65mm 3%
  8. 100mm 2%
  9. 32mm 1%
  10. 122mm 1%

Exposure mode

  1. Manual 85%
  2. Aperture-priority AE 15%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
16:00 · 15%
Flash fired
2%

Capture year

When the analyzed photos were taken · 2021-2026

  1. 2021 2%
  2. 2022 6%
  3. 2023 33%
  4. 2024 35%
  5. 2025 18%
  6. 2026 7%

What's mounted on the Fujifilm GFX50S II

Lens pairings from the last 90 days, compared with the all-time share.

Last 90 days · 201 photos

  1. 1 Fujifilm GF 80mm f/1.7 R WR 23% down
  2. 2 Fujifilm GF 55mm f/1.7 R WR 18% up
  3. 3 CONTAX LENS 9% up
  4. 4 GF20-35mmF4 R WR 8% up
  5. 5 GF35-70mmF4.5-5.6 WR 7% flat
  6. 6 Fujifilm Fujinon GF80mm F1.7 R WR 5% up
  7. 7 Fujifilm GF 32-64mm f/4 R LM WR 4% down
  8. 8 FUJIFILM GF 63mm f/2.8 R WR 2% down
  9. 9 Contax 645 45/2.8 2% up
  10. 10 MITAKON 2% flat
  11. 11 GF45mm F2.8 R WR 2% down
  12. 12 Fringer/C645 80/2 2% up

The edit fingerprint

How Fujifilm GFX50S II photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 99 Lightroom edits · last 90 days

The typical Fujifilm GFX50S II edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.5
  • Highlights -38
  • Shadows +17
  • Whites -15

Ranges show the middle 50% of edited photos.

The Fujifilm GFX50S II tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
78%
lower whites
66%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Exposure 94%
  2. Highlights 92%
  3. Shadows 91%
  4. Whites 87%
  5. Blacks 81%
  6. Contrast 81%
  7. Green saturation 76%
  8. Green hue 75%
  9. Yellow saturation 75%
  10. Orange saturation 74%
  11. Red saturation 56%
  12. Blue saturation 56%
  13. Green luminance 55%
  14. Orange hue 55%
  15. Saturation 54%
  16. Yellow hue 51%

White balance & profiles

Custom
98%
As Shot
2%
Median temperature
5,520K
Median tint
+14
  1. Adobe Standard 85%
  2. Camera CLASSIC CHROME 10%
  3. DVLOP X 2%
  4. Camera ACROS 1%
  5. Cobalt Modular 1%

The Fujifilm GFX50S II color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
4%
Grain
41%
Vignette
0%
Cropped
93%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 43% · sat 56% · lum 19%
  • Orange hue 55% · sat 74% · lum 44%
  • Yellow hue 51% · sat 75% · lum 41%
  • Green hue 75% · sat 76% · lum 55%
  • Aqua hue 20% · sat 45% · lum 16%
  • Blue hue 27% · sat 56% · lum 31%
  • Purple hue 18% · sat 30% · lum 18%
  • Magenta hue 21% · sat 31% · lum 16%

Shoot with a Fujifilm GFX50S II?

Upload a photo to see its full EXIF and Lightroom settings — the same data these stats are built from.

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Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Every chart and swatch is derived from aggregate numbers. generated October 19, 2026.