Canon · camera stats

Canon EOS R5 Mark II

How 2,493 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#20
most analyzed of 102 cameras
f/3.2
median aperture
ISO 320
median · p95 2,500
1/500s
median shutter
87%
shot in Manual mode

Shooting DNA

How Canon EOS R5 Mark II photos are shot

2,493 all-time photos · 1,522 with Lightroom edits

Aperture

  1. f/1.4 or wider 5%
  2. f/1.8 18%
  3. f/2.8 25%
  4. f/4 32%
  5. f/5.6 11%
  6. f/8+ 10%

ISO

  1. <=200 44%
  2. 400 16%
  3. 800 21%
  4. 1600 11%
  5. 3200 6%
  6. 6400+ 3%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,500.

Shutter speed

  1. 1/1000s+ 38%
  2. 1/500s 18%
  3. 1/250s 24%
  4. 1/125s 14%
  5. 1/60s 3%
  6. slower 3%

Focal length

Most common focal lengths recorded in EXIF.

  1. 28mm 16%
  2. 50mm 9%
  3. 70mm 9%
  4. 35mm 8%
  5. 24mm 7%
  6. 85mm 2%
  7. 31mm 2%
  8. 97mm 2%
  9. 32mm 2%
  10. 38mm 2%

Exposure mode

  1. Manual 87%
  2. Aperture-priority AE 11%
  3. Shutter speed priority AE 2%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
18:00 · 12%
Flash fired
11%

Capture year

When the analyzed photos were taken · 2024-2026

  1. 2024 9%
  2. 2025 58%
  3. 2026 33%

What's mounted on the Canon EOS R5 Mark II

Lens pairings from the last 90 days, compared with the all-time share.

Last 90 days · 906 photos

  1. 1 Canon RF 28-70mm f/2L USM 38% up
  2. 2 Canon RF 24-70mm f/2.8L IS USM 20% up
  3. 3 Canon RF 24-105mm f/4L IS USM 10% down
  4. 4 Canon RF 24-105mm f/2.8L IS USM Z 7% up
  5. 5 Canon RF 50mm f/1.2L USM 4% flat
  6. 6 RF28-70mm F2.8 IS STM 3% down
  7. 7 Canon RF 15-35mm f/2.8L IS USM 3% flat
  8. 8 Canon RF 35mm f/1.4L VCM 3% flat
  9. 9 RF70-200mm F2.8 L IS USM Z 3% up
  10. 10 Canon EF 24-70mm f/2.8L II USM 2% down
  11. 11 Canon RF 70-200mm f/2.8L IS USM 1% flat
  12. 12 RF16mm F2.8 STM 1% flat

Adapted EF lenses still account for 3% of the top recent pairings.

The edit fingerprint

How Canon EOS R5 Mark II photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 587 Lightroom edits · last 90 days

The typical Canon EOS R5 Mark II edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.4
  • Contrast +4
  • Highlights -33
  • Shadows +32
  • Whites -6
  • Saturation -2

Ranges show the middle 50% of edited photos.

The Canon EOS R5 Mark II tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
51%
lower whites
67%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Highlights 95%
  2. Exposure 94%
  3. Shadows 93%
  4. Whites 89%
  5. Contrast 87%
  6. Green saturation 83%
  7. Saturation 81%
  8. Orange saturation 80%
  9. Blacks 80%
  10. Orange luminance 76%
  11. Yellow saturation 74%
  12. Orange hue 70%
  13. Green luminance 70%
  14. Green hue 70%
  15. Blue saturation 68%
  16. Red luminance 66%

White balance & profiles

Custom
87%
As Shot
13%
Auto
0%
Median temperature
5,800K
Median tint
+7
  1. Adobe Standard 84%
  2. Embedded 8%
  3. Camera Standard 7%
  4. DVLOP X 2%

The Canon EOS R5 Mark II color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
9%
Grain
56%
Vignette
3%
Cropped
92%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 59% · sat 47% · lum 66%
  • Orange hue 70% · sat 80% · lum 76%
  • Yellow hue 64% · sat 74% · lum 65%
  • Green hue 70% · sat 83% · lum 70%
  • Aqua hue 52% · sat 60% · lum 49%
  • Blue hue 50% · sat 68% · lum 65%
  • Purple hue 27% · sat 61% · lum 31%
  • Magenta hue 26% · sat 62% · lum 24%

Shoot with a Canon EOS R5 Mark II?

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Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Every chart and swatch is derived from aggregate numbers. generated August 31, 2026.