Canon · camera stats

Canon EOS R5 Mark II

How 2,965 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#19
most analyzed of 111 cameras
f/3.2
median aperture
ISO 320
median · p95 2,500
1/500s
median shutter
86%
shot in Manual mode

Shooting DNA

How Canon EOS R5 Mark II photos are shot

2,965 all-time photos · 1,902 with Lightroom edits

Aperture

  1. f/1.4 or wider 4%
  2. f/1.8 18%
  3. f/2.8 27%
  4. f/4 31%
  5. f/5.6 10%
  6. f/8+ 10%

ISO

  1. <=200 44%
  2. 400 15%
  3. 800 22%
  4. 1600 11%
  5. 3200 6%
  6. 6400+ 3%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,500.

Shutter speed

  1. 1/1000s+ 36%
  2. 1/500s 20%
  3. 1/250s 25%
  4. 1/125s 14%
  5. 1/60s 3%
  6. slower 3%

Focal length

Most common focal lengths recorded in EXIF.

  1. 28mm 17%
  2. 50mm 10%
  3. 35mm 9%
  4. 70mm 9%
  5. 24mm 7%
  6. 85mm 2%
  7. 31mm 2%
  8. 32mm 2%
  9. 97mm 2%
  10. 38mm 2%

Exposure mode

  1. Manual 86%
  2. Aperture-priority AE 11%
  3. Shutter speed priority AE 2%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
18:00 · 11%
Flash fired
11%

Capture year

When the analyzed photos were taken · 2024-2026

  1. 2024 10%
  2. 2025 56%
  3. 2026 34%

What's mounted on the Canon EOS R5 Mark II

Lens pairings from the last 90 days, compared with the all-time share.

Last 90 days · 962 photos

  1. 1 Canon RF 28-70mm f/2L USM 49% up
  2. 2 Canon RF 24-70mm f/2.8L IS USM 10% down
  3. 3 Canon RF 24-105mm f/4L IS USM 9% down
  4. 4 Canon RF 50mm f/1.2L USM 6% up
  5. 5 Canon RF 35mm f/1.8 Macro IS STM 4% up
  6. 6 Canon RF 35mm f/1.4L VCM 3% flat
  7. 7 RF70-200mm F2.8 L IS USM Z 2% up
  8. 8 Canon RF 24-105mm f/2.8L IS USM Z 2% down
  9. 9 Canon EF 24-70mm f/2.8L II USM 2% down
  10. 10 RF100-500mm F4.5-7.1 L IS USM 2% up
  11. 11 RF28-70mm F2.8 IS STM 2% down
  12. 12 Canon EF 35mm f/1.4L II USM 1% flat

Adapted EF lenses still account for 4% of the top recent pairings.

The edit fingerprint

How Canon EOS R5 Mark II photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 736 Lightroom edits · last 90 days

The typical Canon EOS R5 Mark II edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.2
  • Highlights -30
  • Shadows +20
  • Whites -6
  • Saturation -1

Ranges show the middle 50% of edited photos.

The Canon EOS R5 Mark II tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
100%
lift blacks
44%
lower whites
50%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Highlights 97%
  2. Exposure 93%
  3. Shadows 91%
  4. Contrast 91%
  5. Whites 90%
  6. Saturation 84%
  7. Blacks 83%
  8. Green saturation 81%
  9. Orange saturation 76%
  10. Yellow saturation 75%
  11. Orange luminance 74%
  12. Orange hue 72%
  13. Green luminance 72%
  14. Blue luminance 71%
  15. Blue saturation 71%
  16. Vibrance 70%

White balance & profiles

Custom
88%
As Shot
12%
Auto
1%
Median temperature
5,774K
Median tint
+7
  1. Adobe Standard 89%
  2. Embedded 6%
  3. Camera Standard 2%
  4. DVLOP X 2%

The Canon EOS R5 Mark II color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
7%
Grain
41%
Vignette
4%
Cropped
92%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 66% · sat 59% · lum 69%
  • Orange hue 72% · sat 76% · lum 74%
  • Yellow hue 67% · sat 75% · lum 65%
  • Green hue 68% · sat 81% · lum 72%
  • Aqua hue 60% · sat 59% · lum 54%
  • Blue hue 48% · sat 71% · lum 71%
  • Purple hue 42% · sat 63% · lum 27%
  • Magenta hue 43% · sat 64% · lum 35%

Shoot with a Canon EOS R5 Mark II?

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Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Every chart and swatch is derived from aggregate numbers. generated October 19, 2026.