Fujifilm · camera stats

GFX 50S

How 783 real photos from this camera were shot — and how they were edited in Lightroom.

Aggregated from photos analyzed on PixelPeeper · no spec sheets, only observed behavior

#38
most analyzed of 102 cameras
f/4
median aperture
ISO 400
median · p95 2,500
1/200s
median shutter
72%
shot in Manual mode

Shooting DNA

How GFX 50S photos are shot

783 all-time photos · 431 with Lightroom edits

Aperture

  1. f/1.4 or wider 18%
  2. f/1.8 5%
  3. f/2.8 16%
  4. f/4 14%
  5. f/5.6 11%
  6. f/8+ 38%

ISO

  1. <=200 33%
  2. 400 34%
  3. 800 17%
  4. 1600 9%
  5. 3200 3%
  6. 6400+ 3%

Real-world ISO ceiling: 95% of photos stay at or below ISO 2,500.

Shutter speed

  1. 1/1000s+ 18%
  2. 1/500s 14%
  3. 1/250s 21%
  4. 1/125s 25%
  5. 1/60s 8%
  6. slower 14%

Focal length

Most common focal lengths recorded in EXIF.

  1. 63mm 20%
  2. 45mm 15%
  3. 80mm 13%
  4. 110mm 8%
  5. 64mm 7%
  6. 32mm 5%
  7. 50mm 4%
  8. 120mm 4%
  9. 30mm 2%
  10. 34mm 2%

Exposure mode

  1. Manual 72%
  2. Aperture-priority AE 28%

Time of day

When photos are captured, from EXIF timestamps.

Peak hour
18:00 · 14%
Flash fired
2%

Capture year

When the analyzed photos were taken · 2017-2026

  1. 2017 3%
  2. 2018 9%
  3. 2019 14%
  4. 2020 13%
  5. 2021 16%
  6. 2022 18%
  7. 2023 17%
  8. 2024 8%
  9. 2025 2%
  10. 2026 1%

What's mounted on the GFX 50S

Lens pairings from the last 90 days, compared with the all-time share.

  1. 1 Fujifilm GF 32-64mm f/4 R LM WR 24% flat
  2. 2 FUJIFILM GF 63mm f/2.8 R WR 20% flat
  3. 3 GF45mm F2.8 R WR 9% flat
  4. 4 Fujifilm GF 80mm f/1.7 R WR 8% flat
  5. 5 GF110mmF2 R LM WR 8% flat
  6. 6 Fringer/C645 45/2.8 5% flat
  7. 7 Fringer/C645 80/2 4% flat
  8. 8 GF120mmF4 R LM OIS WR Macro 3% flat
  9. 9 Fujifilm Fujinon GF32-64mm F4 R LM WR 3% flat
  10. 10 GF35-70mmF4.5-5.6 WR 2% flat
  11. 11 GF30mmF3.5 R WR 2% flat
  12. 12 Contax 645 80/2 2% flat

The edit fingerprint

How GFX 50S photos are edited

Median Lightroom develop settings across every analyzed edit — data nobody else has.

from 431 Lightroom edits · all time

The typical GFX 50S edit

Dot = median · band = Middle 50% of edits. Neutral sliders are hidden.

  • Exposure +0.05
  • Contrast -28
  • Highlights -58
  • Shadows +44
  • Whites -27
  • Blacks +26

Ranges show the middle 50% of edited photos.

The GFX 50S tone curve

Median curve across all custom tone curves, with the middle 50% band.

Custom curve
98%
lift blacks
84%
lower whites
71%

Most-touched sliders

Share of edits where each Lightroom slider was moved away from neutral.

  1. Highlights 94%
  2. Whites 92%
  3. Shadows 90%
  4. Blacks 89%
  5. Exposure 89%
  6. Contrast 86%
  7. Orange saturation 80%
  8. Green saturation 78%
  9. Orange luminance 76%
  10. Yellow saturation 75%
  11. Blue saturation 75%
  12. Orange hue 72%
  13. Yellow hue 71%
  14. Yellow luminance 71%
  15. Clarity 69%
  16. Blue luminance 68%

White balance & profiles

Custom
90%
As Shot
6%
Auto
2%
Median temperature
5,450K
Median tint
+12
  1. Adobe Standard 83%
  2. Embedded 9%
  3. DVLOP FILM II 4%
  4. Camera CLASSIC CHROME 2%
  5. Camera PROVIA/STANDARD 2%

The GFX 50S color profile

Rendered from aggregate color grading and HSL data — never from photos.

Color grading

Median hue and saturation per layer, shown as the color it produces.

No reliable color grading sample yet.

Black & white
2%
Grain
27%
Vignette
1%
Cropped
72%

Color mixer activity

How often each HSL channel gets adjusted, with the hue/sat/lum split.

  • Red hue 59% · sat 63% · lum 57%
  • Orange hue 72% · sat 80% · lum 76%
  • Yellow hue 71% · sat 75% · lum 71%
  • Green hue 60% · sat 78% · lum 54%
  • Aqua hue 52% · sat 62% · lum 50%
  • Blue hue 60% · sat 75% · lum 68%
  • Purple hue 50% · sat 52% · lum 28%
  • Magenta hue 44% · sat 32% · lum 41%

Shoot with a GFX 50S?

Upload a photo to see its full EXIF and Lightroom settings — the same data these stats are built from.

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Methodology

Stats are aggregated from photos analyzed on PixelPeeper, capped per contributor so no single uploader can dominate a page. Shooting values come from EXIF metadata; editing values come from Lightroom XMP develop settings when present. Every chart and swatch is derived from aggregate numbers. generated August 31, 2026.